A financial office worker during the week, and an Idol at the weekend, Tsukimori Kaede – also known by her nickname, Kaepyon – is a self-produced idol that has been making waves within the overseas idol fandom since her solo debut back in 2020.
From desk work to live streams, Kaepyon works hard to make her dreams come true, and encourages her fans – whom she affectionately calls ‘Kaepyonists’ – to also pursue their own dreams, no matter how old they might be! With a cute voice at her disposal and an ever-growing, loyal fanbase, Kaepyon is ready to welcome you into her sparkling world of colour and happiness.
Idols bring us hope, happiness and a drive to continue with our daily lives, no matter how mundane a day might be, or how weary we feel after the work has been done. Come rain or shine, the joy that an idol creates is second to none, and a core point of our fan journey.
Looking back at my own journey as a fan, there is one group that comes to mind when I think about the love I hold for Idols and Japanese music, and the role they have played in my life as an Idol fan.
On August 17th, 2021, the news that Miho – founding member and now former bassist of all female metal band LOVEBITES – was leaving the group was released, along with the announcement that the rest of the group would be going on hiatus. It sent shock waves through the metal scene in Japan and around the world. For me as one of their biggest fans in the UK, the announcement saddened and deflated me. It just feels so raw that a band that has meaningful lyrics, that sing to you about what you feel and inspired myself to be who I am today has gone on hiatus, and yes it hurts at times.
Here are my thoughts on why LOVEBITES are an important band to me.
Gothic-romantic songwriter and multi instrumentalist The Heana Cat returns with an epic re-recording and international release of The In-Between.
A cult favourite on the live Japanese music scene since 2013, The Heana Cat has turned classic J-Rock and J-pop on its head thanks to lead Hi-chan, who brings with her a dark and stylish fusion on the gothic-romantic genre.
With the long awaited release of mini album THE HEANA CAT to, moshimasu back in March – the first release in two years – Hi-chan has been busy on the live circuit and as well as being newly signed to Setsuzoku Records.
Now, the exclusive international release of The In-Between will be available on CD and digitally from December 10th, featuring 10 rerecorded songs along with an exclusive bonus track, Asobitai.
To celebrate this anticipated release, Hi-chan has joined Beyond Senpai to talk about the album, her inspirations and plans for the future.
After what feels like a lifetime of lock-downs and restrictions, it goes without saying that what transpired this past October was an event that had been a long time coming for fans of the Japanese live music scene. Of course, whilst things have not quite returned to complete normality, here in the UK and Europe music has made its triumphant return with the explosive tour from BRIDEAR.
Bringing their Into The Dark Forever tour to several cities across the UK and Europe, BRIDEAR delighted the fans who travelled near and far for what was the first (of hopefully many) Japanese tours in almost 2 years. It goes without saying that this was more than just the music; this was a reunion of fans and friends, a reason to rock out and enjoy themselves after enduring many months without leaving their homes, let alone their counties. This was about everyone embracing their love for the music, the band and the metal that they bring.
Now that a few weeks have passed since BRIDEAR graced us with their incredible performance, the girls have since returned to Japan, but Beyond Senpai’s team were able to catch up with the members and reminisce about their time touring overseas. So, please welcome Kimi, Haru, Ayumi, Natsumi and Misaki as they join Beyond Senpai for a post-tour chat.
It’s been a hot minute since Saki Chitose, better known as Double And (stylised 2&) released her first self produced EP, Nisoku De Hokou, released on July 10th this year.
With the 2020 pandemic and closure of venues last year, Saki has been busy promoting herself online and showcasing her talent to fans within Japan and overseas. Despite the restrictions set in Japan, Saki has managed to overcome the hurdles set before her and showcased her growth as a performer.
Today, Saki has joined Beyond Senpai for a Q & A to tell us about the past year and her hopes for the future.
Making her return with one of the most anticipated releases of 2021, MIKUROMIKA brings MIKUROPOP to the international music scene. Set to drop on July 23rd with a worldwide release under SETSUZOKU RECORDS, MIKUROMIKA is ready to throw you into her bright and colourful world of music, fashion and art.
With a punchy mix full of dance breaks and reminiscent of the mid-90s house scene, and generously mixed with clean vocals and spoken word, MIKUROPOP is simply a pleasure on the ears and a joy to behold if you were around during those long summer days of years gone by.
Pop, rock, pop-punk, idol and J-Pop are some common descriptions of self-produced Tokyo-based artist Saki Chitose, best known as Double And, stylised as 2.
Since her debut Double And album back in 2015, Saki has gone on to release a number of singles and EPs. She is well known for her dynamic and fun live performances and her distinct vocals that keep all the intensity with tightly choreographed dance routines.
There have been so many bands over the years that have made an impact on my life. My musical tastes are vast and eclectic, and no matter what feelings I have there will most certainly be a song that I can go to to enhance those feelings, be it sadness, joy, rage or just something to take me away from the daily toils of being a grown up.